MUSIC IS OUR PASSION
Music is what we know, do, and love. There is always something new that can be discovered by mixing beats, tempos, rhythms, and melodies. We are committed with all the tools to help you discover your creativity artists possess and bringing them to new heights in the industry.
VIRTUAL STUDIOS ARE CHANGING THE MUSIC INDUSTRY
Things have been pretty crazy in the world lately, so it’s no wonder that more music is being made than ever before. Engineers, producers and mixers have been taking full advantage of this shift for a while now to create a" virtual" production. Artists are also taking advantage of the flexibility a virtual hybird recording studio offers. They’re realizing that they don’t need the big, expensive equipment to get a good sound – a few select pieces of gear and they’re good to go. As a result of all of this, we’re seeing artists pump out more and more professional music more than ever before and it’s changing the way the music industry is approaching production. In the box studio will bring you to new heights virtually and acoustically.
Read about all the possibilities below
"Tim made us feel super comfortable at ITB Studio, and we were able to take our time and get things right. Tim has a wonderful set-up for recording music, and his knowledge of music and the recording process made our recording session easy and fun. Besides that, ITB Studio utilizes new digital microphone technology, so we were able to tailor our sound at all levels. Thank you, Tim!!"
- Kailyn Spencer & Paul Lawrence
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Virtual Studio Technology is an audio plug-in software interface that integrates software and acoustic interment's and effects units into digital audio workstations. (VST) and similar technologies use digital signal processing to simulate traditional recording studio hardware in software.
Virtual Microphone System
Click the VMS Microphone for a tour.
Slate Digital brings you the next generation of precision modeled hybrid microphone technology, the Slate VMS Virtual Microphone System. Exact characteristics of the best vintage tube microphone examples on the planet were painstakingly digitally modeled to within the smallest detail, enabling the user to have a virtual mic cabinet of the world's best microphones but without the massive expense and maintenance. The Slate Digital VMS also includes equally precise models of the world's most sought after microphone preamps so that you can mix and match virtual microphones and virtual preamps to find your own personal flavor. The Slate Virtual Microphone System incorporates a high quality and extremely transparent hardware microphone preamp within the power supply, so that you may also avoid the hassle and expense of having to add an external microphone preamp to your recording chain. Simply an incredible value from Slate and a product literally revolutionizing the microphone industry overnight.
FG-47
The FG-47 recreates the sound of one of the most famous vintage tube microphones in
the history of audio. It has a thick and full-bodied low end, rich and present midrange,
and smooth top end. This microphone sounds great on thick lead vocals, but also
sounds incredible as a kick drum mic, room mic, guitar mic, and on horns and strings.
FG-800
The FG-800 recreates the sound of one of the most popular modern tube mics, known
for being the go-to choice for pop and hip hop vocalists. It’s extremely bright and airy,
but with a warm bottom end. Using this mic on vocals will give you an instant polished
‘pop’ sound. However, this mic also sounds great on overheads and acoustic guitar.
FG-251
The FG-251 recreates the sound of one of the most sought-after vintage tube mics in
the industry. It’s one of the most in-demand lead vocal mics on the planet, known for
being crisp, warm and flattering on a variety of voices. The FG-251 also sounds great
on drums, guitars, acoustics, and just about anything else you put it on!
FG-67
The FG-67 emulates a vintage German classic known for being slightly dark, bold and
thick. This mic is amazing on vocals, rooms, horns and piano, and it’s one of Steven’s
favorite on toms.
FG-12
The FG-12 emulates an Austrian classic known for being incredibly smooth and rich sounding.
We chose an absolutely incredible version of this mic to model – it’s the
perfect representation of this famous tone.
FG-M7
The FG-M7 takes one of the most famous dynamic vocal mics used in the studio by
artists like Michael Jackson and adds the tube stage of the classic 47, making it
extremely punchy and crisp, with incredible mids that cut through the mix. Definitely
gonna be a favorite!
FG-800M
The FG-800M emulates an older Japanese tube mic, and is slightly fatter and darker
than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and
bright, you’re gonna love this.
VMS Quick Start by Steven Slate
FG-269
The FG-269 emulates an extremely rare German classic that shares much of the same
circuit as the 67, but with a different tube that makes it more open and clear. This is one
of the best-sounding vocal mics we’ve ever heard.
Classic Tubes 3
FG-47 MKII
This is the second model of a famous old German Tube mic. It is similar in nature to the
stock 47, but has slightly smoother upper midrange and top, along with a fatter low mid.
This mic will be perfect for vintage vocal sounds, and will sound great on a kick drum or
bass cabinet.
FG-44
This is the first VMS model of a classic ribbon mic, but in cardioid form. But since this is
Classic Tubes 3, we added a custom tube stage to give the mic model some more tube
harmonics and subtle saturation. This mic is great on anything that needs ultra smooth
vintage vibes.
FG-37a
A recreation of a famous vintage Japanese tube microphone. This mic is one of the
most flattering sounding microphones in the entire collection. The midge is sculpted in a
way that makes almost any voice pleasing. It also sounds great on acoustics, drum
overheads, and piano.
FG-67 MKII
The stock 67 in the VMS collection has the low pass filter mod which makes it brighter
than a typical 67, so we decided to add a gorgeous sounding stock to 67 to Classic
Tubes 3. The stock 67 is somewhat dark on the top end with beautiful lush lows. It can
be great on vocals, drum rooms, piano, horns, and just about anything that needs a
vintage tone.
FG-49
A model of one of the most famous old German tube mics, the FG-49 has an incredibly
dominant and rich midrange along with slightly airy and smooth top end. It makes a
fantastic vocal mic on the right singer, but really shines as a drum room mic, piano mic horn mic, or kick drum mic.
Check out this great video
Check out this great video
Experience over 80 amps and speakers that are used throughout the world. World class FX racks, 80 foot switches. Click below to listen to a 40 minute walkthrough (With no talking)
This famous Hollywood Studio has been home to countless artists and albums, from Beyoncé to Billy Joel. We modeled the three speakers in Studio C, the mix room. First, a classic pair of emulated Yamaha NS10’s with a sub. This system will tell you very quickly if something is wrong in your mix. Next, the midfield is a precise recreation of the ATC SCM25, which is rich, hi-fi, balanced, and fun to listen to. Last, we modeled NRG’s iconic Ocean way HR3.5 farfield with extra sub. This main sounds deep, punchy, big, and smooth.
Archon is one of the most distinguished privately owned studios in the world. Owner/Producer Aris Archontis spared no expense to make this the perfect mix environment. You’ll notice it is drier and more immediate sounding than NRG’s mixing room. The Archon nearfield is a great sounding Amphion system with a subwoofer, which we modeled down to the slightest detail. The midfield is a reproduction of the ATC SCM150 and sounds insanely detailed and flat. Finally, the farfields model Pelonis dual concentric mains that are deep, punchy, and really fun to mix on.
Howie’s list of mastered albums reads like a who’s who of legendary artists. Now you can polish your mix in his private mastering room, complete with precise emulations of his PMC mastering speakers. They are very balanced, extremely clear, and have the famous PMC ultra-detailed high end that will show you the most minute details of your mix.
Howie’s list of mastered albums reads like a who’s who of legendary artists. Now you can polish your mix in his private mastering room, complete with precise emulations of his PMC mastering speakers. They are very balanced, extremely clear, and have the famous PMC ultra-detailed high end that will show you the most minute details of your mix.
This perfectly tuned medium-sized studio features a pair of modeled Barefoot MM27 midfields and PMC IBS-1S farfields that have been customized using a Trinnov system for phase accurate sound. Both sets of speakers are extremely revealing and will make it easy to hear the most intricate EQ and compression tweaks. Finally, the nearfield is a model of the classic mono Auratone speaker that will allow you to hear balances with ease, and help you make decisions for more consumer speakers like laptops and phones.
Waves' Abbey Road Studio 3, created in collaboration with Abbey Road Studios, is a system that allows anyone mixing on headphones to feel as though they're mixing on world-class loudspeakers in an excellent control room. Designed by celebrated acoustician Sam Toyoshima, Studio 3's control room is the most sophisticated room at Abbey Road and is kitted out with high-quality nearfield speakers, a superb midfield 7.1 surround system and a large soffit-mounted stereo system. Waves have used their Nx technology to recreate Studio 3's acoustic space, converting either a stereo or surround audio input into a binaural headphone monitoring signal that sounds as though you're sitting in the sweet spot at the console.
One solution is 3D audio and Waves’ Nx series of applications and plugins, including the just-released A 3D recreation of the famous Nashville, Tennessee recording studio, Nx: Ocean Way Nashville models the acoustic experience of being in the studio control room. It specifically reproduces the control room’s acoustics as well as the studio’s custom Ocean Way Audio monitors. Heady stuff. Let’s see if we can get behind what’s happening.
The VSX plugin uses Steven Slate Audio’s Binaural Perception Modeling (BPM) algorithms to precisely reproduce the 3D sound of famous mixing studios, mastering rooms, car stereos, nightclubs, audiophile listening rooms, and models of industry-standard headphones. You’ll feel as if you’re really in the
VSX is the solution for you: this features not only a plugin that models the sound of studios, a nightclub, cars, and headphones from the likes of Sennheiser, Audio-Technica, Beyerdynamic and Apple, but also the VSX closed-back Headphones. Equipped with beryllium drivers, these promise a linear sound with precise transient detail and powerful low-end performance.
HIGH-END SAMPLING AND SOUND CREATION SYSTEM HALION IS THE MOST COMPREHENSIVE VIRTUAL SAMPLING AND SOUND DESIGN SYSTEM AVAILABLE TODAY AND EXCELS THE PRESENT CREATIVE PROCESS FOR PRODUCERS AND SOUND DESIGNERS IN ALL AREAS. IT COVERS THE COMPLETE CREATIVE WORKFLOW FROM RECORDING, SAMPLE EDITING TO PROGRAMMING ADVANCED SYNTHESIS AND CREATING PROFESSIONAL SOUND LIBRARIES WHICH YOU CAN ACTUALLY SHARE OR SELL.
HALion Symphonic Orchestra puts the awesome emotive power and sheer sonic majesty of a full symphonic orchestra under your total control. Evocative scores, exquisite arrangements, emotive accompaniments — this instrument is an ideal, cost-effective virtual symphonic orchestra for composition and production in music, TV and film scoring and game sound.
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